ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContact

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Robert Stewart, 2nd Marquess of Londonderry (Lord Castlereagh) by Thomas Lawrence

Robert Stewart, 2nd Marquess of Londonderry (Lord Castlereagh)

Thomas Lawrence·1809

Historical Context

Lawrence painted Lord Castlereagh around 1809-10, depicting the Anglo-Irish statesman who as Foreign Secretary (1812-22) would become the architect of the post-Napoleonic European settlement at the Congress of Vienna. Castlereagh was one of the most consequential British foreign ministers, crafting the balance-of-power system that maintained European peace for a generation. His later suicide in 1822, driven by overwork and political persecution, made him a tragic figure. Lawrence's portrait captures the controlled intensity of a man who bore enormous responsibilities during Britain's most dangerous years. Now in the National Portrait Gallery, the painting documents one of the pivotal figures of European diplomatic history.

Technical Analysis

Lawrence conveys the statesman's formidable intelligence and reserve, the face painted with precision that captures both Castlereagh's aristocratic handsomeness and the contained intensity that contemporaries found both impressive and slightly chilling. The dark, formal treatment suits a man whose emotional reserve was legendary.

Look Closer

  • ◆Notice the controlled, intense expression Lawrence gives Castlereagh: the portrait projects the contained intelligence that contemporaries found both impressive and slightly chilling.
  • ◆Look at the aristocratic handsomeness: Castlereagh was one of the most physically striking figures in Georgian politics, and Lawrence captures this.
  • ◆Observe the dark, formal treatment: Lawrence calibrates the composition's gravity to the statesman's legendary emotional reserve.
  • ◆Find the precision in the face's rendering: Lawrence gives Castlereagh more careful, exact modeling than his more flamboyant sitters.

See It In Person

National Portrait Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
74.3 × 61.6 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Portrait
Location
National Portrait Gallery, London
View on museum website →

More by Thomas Lawrence

Isabella Wolff by Thomas Lawrence

Isabella Wolff

Thomas Lawrence·1803–15

Anna Maria Dashwood, later Marchioness of Ely by Thomas Lawrence

Anna Maria Dashwood, later Marchioness of Ely

Thomas Lawrence·c. 1805

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby by Thomas Lawrence

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby

Thomas Lawrence·1790

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894) by Thomas Lawrence

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894)

Thomas Lawrence·1823

More from the Neoclassicism Period

Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

Portrait of the Artist's Father, Ismael Mengs

Anton Raphael Mengs·1747–48

View on the River Roseau, Dominica by Agostino Brunias

View on the River Roseau, Dominica

Agostino Brunias·1770–80

Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770