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Sir David Wilkie by David Wilkie

Sir David Wilkie

David Wilkie·1813

Historical Context

This portrait, painted in 1813, reflects David Wilkie's command of formal portraiture, drawing on Rembrandt. The work reflects the social importance of commissioned portraits in the Romantic period, serving both as personal memento and public statement of status. In his early career Wilkie's meticulous oil technique was closely modelled on Dutch and Flemish genre masters—Teniers, Ostade, and Wilkie's particular hero, Jan Steen—building up small-scale figure groups with careful attention to...

Technical Analysis

The portrait is rendered with narrative clarity that characterizes David Wilkie's best work. Oil on canvas provides a rich ground for the subtle gradations of flesh tone and the textural contrasts between skin, fabric, and background that give the image its convincing presence.

See It In Person

National Portrait Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
14.3 × 9.8 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Portrait
Location
National Portrait Gallery, London
View on museum website →

More by David Wilkie

Sketch of a head for 'The Rabbit on the Wall' by David Wilkie

Sketch of a head for 'The Rabbit on the Wall'

David Wilkie·1816

The Broken Jar by David Wilkie

The Broken Jar

David Wilkie·1816

The Refusal by David Wilkie

The Refusal

David Wilkie·1814

The Daughters of Sir Walter Scott by David Wilkie

The Daughters of Sir Walter Scott

David Wilkie·1817

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Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

Portrait of the Artist's Father, Ismael Mengs

Anton Raphael Mengs·1747–48

View on the River Roseau, Dominica by Agostino Brunias

View on the River Roseau, Dominica

Agostino Brunias·1770–80

Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770