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William Harrison Ainsworth by Daniel Maclise

William Harrison Ainsworth

Daniel Maclise·1834

Historical Context

Daniel Maclise painted William Harrison Ainsworth around 1834, depicting the historical novelist whose enormously popular works — Rookwood (1834), Jack Sheppard (1839) — made him a major figure in Victorian popular culture alongside Dickens. Maclise was a prolific portraitist of literary figures, his connection to the Fraser's Magazine circle giving him access to the leading writers of the 1830s. His portrait of Ainsworth captures the romantic literary persona that the historical novelist cultivated, the dark, brooding appearance suited to the Gothic and criminal subjects of his fiction.

Technical Analysis

Maclise renders Ainsworth with fashionable elegance and careful characterization, using warm tones and polished technique. The portrait captures the Romantic self-presentation of the literary world, with the sitter's theatrical pose reflecting his role as a public figure.

See It In Person

National Portrait Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
91.4 × 70.5 cm
Era
Romanticism
Style
Romanticism
Genre
Portrait
Location
National Portrait Gallery, London
View on museum website →

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Daniel Maclise·1849-1850

Scene from Ben Jonson's <font -i>Every Man in His Humour</font -i> (Act II, Scene I) by Daniel Maclise

Scene from Ben Jonson's <font -i>Every Man in His Humour</font -i> (Act II, Scene I)

Daniel Maclise·1847-1848

John Forster by Daniel Maclise

John Forster

Daniel Maclise·1830

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