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William Mulready by William Mulready

William Mulready

William Mulready·1835

Historical Context

Mulready painted self-portraits at various points in his career, using the format both as professional self-presentation and as a private record of his changing appearance. A self-portrait by Mulready carries the particular interest of a painter who was himself deeply studied in the human face — his genre scenes and portraits demonstrate exceptional sensitivity to physiognomy, and applying that sensitivity to his own features would have been a demanding and honest exercise. As a Royal Academician and respected figure in London art life, Mulready's self-image was also a professional statement.

Technical Analysis

Mulready's self-portraits display the same careful tonal modeling he brought to commissioned portraiture, though the intimacy of the self-scrutiny gives them a psychological directness that formal commissions sometimes lack. His characteristic warm-cool flesh tone transitions are particularly evident in the careful rendering of his own features.

See It In Person

National Portrait Gallery

London, United Kingdom

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Quick Facts

Medium
Oil paint
Dimensions
21.6 × 16.8 cm
Era
Romanticism
Style
British Romanticism
Genre
Genre
Location
National Portrait Gallery, London
View on museum website →

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The Rattle (study) by William Mulready

The Rattle (study)

William Mulready·1807

First Love by William Mulready

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William Mulready·1838 - 1839

The Pool by William Mulready

The Pool

William Mulready·ca. 1850

John Sheepshanks by William Mulready

John Sheepshanks

William Mulready·1832

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