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Wilkie Collins by John Everett Millais

Wilkie Collins

John Everett Millais·1850

Historical Context

Millais's portrait of the novelist Wilkie Collins of 1850 depicts his closest friend and future collaborator — the author of The Woman in White and The Moonstone — at age twenty-six, shortly before the two writers began the theatrical and literary collaboration that would produce some of the most important sensation fiction of the Victorian era. The portrait was painted in the year of the founding Pre-Raphaelite exhibition and demonstrates Millais's ability to produce compelling psychological portraiture alongside his more programmatic Brotherhood works. Collins's bearded, intense face is rendered with characteristic Pre-Raphaelite directness.

Technical Analysis

The Pre-Raphaelite precision of the portrait creates a vivid, unidealized likeness of the young writer. The bright, natural light and careful rendering of features demonstrate how Pre-Raphaelite technique enhanced portraiture.

See It In Person

National Portrait Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
26.7 × 17.8 cm
Era
Romanticism
Style
British Romanticism
Genre
Portrait
Location
National Portrait Gallery, London
View on museum website →

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Pizarro Seizing the Inca of Peru by John Everett Millais

Pizarro Seizing the Inca of Peru

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Ferdinand Lured by Ariel by John Everett Millais

Ferdinand Lured by Ariel

John Everett Millais·1850

Mrs James Wyatt Jr and her Daughter Sarah by John Everett Millais

Mrs James Wyatt Jr and her Daughter Sarah

John Everett Millais·1850

Christ in the House of His Parents by John Everett Millais

Christ in the House of His Parents

John Everett Millais·1849

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