
The Beloved of Enalus Sacrificed to Poseidon and Spared
Bernardino Fungai·1512
Historical Context
Bernardino Fungai painted this rare mythological subject of the Beloved of Enalus around 1512 for the Museum of Fine Arts, Houston. The ancient Greek legend reflects the growing taste for classical narrative among educated Italian patrons Egg tempera on panel was the dominant technique of the period, demanding careful layer-by-layer construction and patient craftsmanship. The tempera medium required careful preparation on a gessoed panel and a disciplined layering technique that produced precise, durable surfaces suited to the intricate detail expected of devotional painting.
Technical Analysis
The narrative panel demonstrates Fungai's Sienese decorative style applied to a classical subject, with colorful patterned approach adapted to the mythological narrative format.


_-_Madonna_and_Child_with_Two_Hermit_Saints_-_Google_Art_Project.jpg&width=600)



