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Red Interior by Édouard Vuillard

Red Interior

Édouard Vuillard·1902

Historical Context

Red Interior from 1902, now in the Barnes Foundation in Philadelphia, is characteristic of Vuillard's chromatic interiors at their most intense — the dominant red of the room creating a warm atmosphere that envelops figures and furniture alike. Albert C. Barnes assembled one of the finest collections of Post-Impressionist painting in America, with exceptional holdings of Renoir, Cézanne, and the Nabi artists. Vuillard's reds are never purely decorative; they carry a psychological weight, enclosing the figures in warmth that can feel either nurturing or slightly suffocating.

Technical Analysis

The dominant red is modulated through variations in tone and texture across different surfaces — the rug, walls, furniture upholstery — each carrying the color differently. Figures are identified by the slight distinction of their colors from the surrounding room, not by clear outline.

See It In Person

Barnes Foundation

Philadelphia, United States

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Nabis
Genre
Genre
Location
Barnes Foundation, Philadelphia
View on museum website →

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Arthur Fontaine by Édouard Vuillard

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Self-portrait, face study by Édouard Vuillard

Self-portrait, face study

Édouard Vuillard·1889

Garden at Vaucresson by Édouard Vuillard

Garden at Vaucresson

Édouard Vuillard·1923

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885