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The Resurrected Christ by Titian

The Resurrected Christ

Titian·1511

Historical Context

Titian's Resurrected Christ, painted around 1511 and now in the Uffizi, Florence, depicts Christ emerging triumphant from the tomb. This early devotional work dates to the period immediately following Giorgione's death, when the young Titian was rapidly establishing himself as the leading painter in Venice. The triumphant figure of the risen Christ, with its warm, luminous flesh tones, demonstrates the devotional power of Titian's early mature style.

Technical Analysis

Titian renders the risen Christ with warm, luminous flesh tones and the developing painterly confidence of his early maturity, creating an image of triumphant resurrection that combines physical vigor with spiritual radiance.

Look Closer

  • ◆Christ emerges from the tomb holding the banner of resurrection, his body combining idealized beauty with visible wounds from the Passion
  • ◆The dynamic upward movement of the figure suggests imminent ascension, with drapery billowing dramatically around the risen body
  • ◆The dawn light breaking through clouds in the background symbolizes the triumph of divine light over the darkness of death
  • ◆This early work shows Titian already developing the monumental figure style that would characterize his mature religious paintings

Condition & Conservation

This early Titian has undergone restoration to address aging-related issues. The panel's condition reflects over five centuries of existence, with some areas of paint loss and retouching. The dynamic composition and rich coloring remain legible despite surface deterioration. The work's attribution to the young Titian is generally accepted by scholars.

See It In Person

Uffizi Gallery

Florence, Italy

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
133.2 × 83.2 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Uffizi Gallery, Florence
View on museum website →

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Portrait of a Lady by Titian

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Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

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Giacomo and Cardinal Marco, investing Andrea, Abbot of San Zeno, with his Benefice by Titian

Giacomo and Cardinal Marco, investing Andrea, Abbot of San Zeno, with his Benefice

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Ecce Homo by Titian

Ecce Homo

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

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