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The Shore at Scheveningen (after Willem van de Velde) by Augustus Wall Callcott

The Shore at Scheveningen (after Willem van de Velde)

Augustus Wall Callcott·1825

Historical Context

The Shore at Scheveningen after Willem van de Velde from 1825 by Callcott at the National Gallery explicitly acknowledges the Dutch marine painting tradition that influenced his coastal scenes. Scheveningen beach near The Hague was one of the most frequently painted sites in Dutch art. Callcott, knighted in 1837 and later Surveyor of the Queen's Pictures, combined English landscape traditions with Italian influence in a polished establishment style that proved consistently popular with collector

Technical Analysis

The coastal scene renders the beach and sky with the tonal restraint and atmospheric sensitivity of Dutch marine painting, Callcott's fluid handling adding his characteristic luminous warmth.

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
24.1 × 15.2 cm
Era
Romanticism
Style
British Romanticism
Genre
Landscape
Location
National Gallery, London
View on museum website →

More by Augustus Wall Callcott

Italian Landscape with Cows Watering by Augustus Wall Callcott

Italian Landscape with Cows Watering

Augustus Wall Callcott·1800-1844

A Sea port: gale rising by Augustus Wall Callcott

A Sea port: gale rising

Augustus Wall Callcott·ca. 1840

Landscape: A Wood and Cattle under a Stormy Sky by Augustus Wall Callcott

Landscape: A Wood and Cattle under a Stormy Sky

Augustus Wall Callcott·1820-1844

Coast Scene with Shrimper by Augustus Wall Callcott

Coast Scene with Shrimper

Augustus Wall Callcott·1820-1844

More from the Romanticism Period

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The Fountain at Grottaferrata

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Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836