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A Dialogue at Waterloo by Edwin Henry Landseer

A Dialogue at Waterloo

Edwin Henry Landseer·1850

Historical Context

Landseer's A Dialogue at Waterloo of 1850 depicts a British soldier and his family revisiting the battlefield, demonstrating to his children the ground where the great victory was won. The subject combines Landseer's interest in narrative genre with his contemporary documentary impulse — Waterloo was still vivid memory in 1850, fought only thirty-five years earlier. The painting reflects the Victorian tendency to domesticate military history, making the battlefield legible through the frame of family experience. Landseer's treatment combines landscape observation with the sentimental genre that ran through his work alongside the grander sporting and animal subjects.

Technical Analysis

Landseer's rendering of both the horse and the elderly Duke demonstrates his dual mastery of animal and portrait painting. The atmospheric battlefield setting and the contemplative mood create an elegiac image of military glory recalled in old age.

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
388 × 193.7 cm
Era
Romanticism
Style
British Romanticism
Genre
Landscape
Location
National Gallery, London
View on museum website →

More by Edwin Henry Landseer

Head of a Roebuck and Two Ptarmigan by Edwin Henry Landseer

Head of a Roebuck and Two Ptarmigan

Edwin Henry Landseer·c. 1830

Wounded Stag and Dog by Edwin Henry Landseer

Wounded Stag and Dog

Edwin Henry Landseer·c. 1825

Copy after Rubens's "Wolf and Fox Hunt" by Sir Edwin Henry Landseer

Copy after Rubens's "Wolf and Fox Hunt"

Sir Edwin Henry Landseer·ca. 1824–26

A Deerhound by Sir Edwin Henry Landseer

A Deerhound

Sir Edwin Henry Landseer·1826

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The Fountain at Grottaferrata

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Dante's Bark

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Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836