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Self-portrait with three collars by Jacques Louis David

Self-portrait with three collars

Jacques Louis David·1791

Historical Context

David's Self-Portrait with Three Collars of 1791 depicts the artist at forty-three, at the height of his Revolutionary engagement and his creative powers, with the penetrating self-examination that characterized his greatest portraits. The three collars — the period fashion visible in many of his contemporaries' portraits — create a specific temporal marker that grounds the self-portrait in its historical moment. David's self-portraits are rare and precious documents of his evolving self-understanding across the Revolutionary and Imperial periods.

Technical Analysis

David scrutinizes his own features with the same dispassionate precision he applies to all his sitters. The firm contours, even lighting, and cool palette embody the Neoclassical aesthetic that David both practiced and theorized.

See It In Person

Vasari Corridor

,

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Quick Facts

Medium
Oil paint
Dimensions
64 × 53 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Portrait
Location
Vasari Corridor,
View on museum website →

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Jacques Louis David·1791–92

Madame François Buron by Jacques Louis David

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Jacques Louis David·1769

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836) by Jacques Louis David

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836)

Jacques Louis David·1788

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