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Canal of Overschie by Paul Signac

Canal of Overschie

Paul Signac·1906

Historical Context

The Canal of Overschie runs through the flat Dutch landscape near Rotterdam, and Signac's visit to Holland was part of his broader campaign of travel that took him beyond France to apply divisionist theory to different national landscapes and atmospheric conditions. Dutch canal subjects carried obvious resonance with the seventeenth-century tradition of landscape painting that Signac admired, and the flat, water-dominated terrain of the Netherlands suited his compositional preferences — wide skies, reflective water surfaces, and the clear northern light that was different from but comparable to Mediterranean clarity.

Technical Analysis

The Dutch canal subjects employ a cooler, greyer palette than Signac's Mediterranean work, with the northern light analyzed in blue-greys, silver-whites, and muted greens. The flat canal surface, reflecting sky and the low riverbank vegetation, provides the layered horizontal composition he found most congenial to divisionist treatment.

See It In Person

Ohara Museum of Art

Kurashiki, Japan

Visit museum website →

Quick Facts

Medium
canvas
Era
Post-Impressionism
Style
Pointillism
Genre
Cityscape
Location
Ohara Museum of Art, Kurashiki
View on museum website →

More by Paul Signac

Pont Mirabeau by Paul Signac

Pont Mirabeau

Paul Signac·1903

Concarneau by Paul Signac

Concarneau

Paul Signac·1932

Mont Saint-Michel. Fog and sun by Paul Signac

Mont Saint-Michel. Fog and sun

Paul Signac·1897

Samois Study No. 8 by Paul Signac

Samois Study No. 8

Paul Signac·1899

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885