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Madonna Enthroned (from a ten-part altarpiece)
Lorenzo Monaco·1395
Historical Context
Lorenzo Monaco, born Piero di Giovanni, was a Camaldolese monk at the monastery of Santa Maria degli Angeli in Florence who became one of the most important painters bridging the Gothic and early Renaissance periods. This Madonna Enthroned from a ten-part altarpiece, painted around 1395, represents his early mature style before the full flowering of his distinctive International Gothic manner. The monumental polyptych format with its multiple components reflects the elaborate liturgical requirements of late medieval church decoration.
Technical Analysis
Painted in egg tempera with lavish gold ground on panel, the work shows Lorenzo Monaco's early style with its firm drawing, luminous color, and graceful figural proportions. The enthroned Virgin follows established Florentine compositional models while the elongated proportions hint at the elegant linearity that would characterize his later masterworks.





