Bulls
Francisco Goya·c. 1787
Historical Context
Bulls is a tapestry cartoon from around 1787, now in the National Gallery of Armenia — one of the more unexpected locations for a Goya work. The cartoon depicts bulls in a landscape, a subject that connects to Goya's lifelong fascination with bullfighting culture. The painting likely arrived in Armenia through the Soviet-era redistribution of artworks across institutional collections in the USSR. Goya's tapestry cartoons were widely dispersed after the dissolution of the Royal Tapestry Factory's holdings in the nineteenth century, reaching collections across Europe and beyond. The cartoon belongs to the later series of designs where Goya's increasingly naturalistic observation of animals and landscape exceeded the decorative requirements of the tapestry format.
Technical Analysis
Goya renders the bulls with vivid naturalistic energy, using broad brushwork and dynamic composition to capture the animals' power and restless movement.
Look Closer
- ◆Notice the vigorous naturalistic rendering of the animals: Goya brings his characteristic energy and observation to the bulls, giving them individual physical presence rather than treating them as generic herd animals.
- ◆Look at the landscape setting: the wide Spanish plains provide the specific geographic context appropriate to the cattle-raising culture that produced bullfighting.
- ◆Observe the connection to Goya's lifelong interest in the corrida: the bulls themselves are the primary subjects here, studied with the fascination of someone who spent a lifetime observing them in the ring.
- ◆Find the unexpected location of this cartoon in Armenia: the Soviet-era redistribution of artworks created some of the more surprising destinations for dispersed Spanish paintings.
_1790.jpg&width=600)
.jpg&width=600)