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Minerva by Artemisia Gentileschi

Minerva

Artemisia Gentileschi·1635

Historical Context

Minerva from around 1635 at the Uffizi presents the goddess of wisdom and war, a subject that allowed Gentileschi to paint a powerful female figure in martial guise. The work entered the Uffizi's collection, one of Europe's most important. Artemisia Gentileschi's powerfully direct treatment of female subjects—heroines, saints, and biblical figures depicted with unprecedented psychological force and physical credibility—makes her one of the most significant figures in the Baroque tradition.

Technical Analysis

The goddess is rendered with commanding presence, the armor and attributes painted with naturalistic detail. Gentileschi's bold handling creates an image of divine female authority.

See It In Person

Uffizi Gallery

Florence, Italy

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
131 × 103 cm
Era
Baroque
Style
Italian Baroque
Genre
Mythology
Location
Uffizi Gallery, Florence
View on museum website →

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Mary Magdalene in Ecstasy by Artemisia Gentileschi

Mary Magdalene in Ecstasy

Artemisia Gentileschi·c. 1625

Bathsheba by Artemisia Gentileschi

Bathsheba

Artemisia Gentileschi·1645

Saint Apollonia by Artemisia Gentileschi

Saint Apollonia

Artemisia Gentileschi·1642

Clio, la Musa della Storia (La fama) by Artemisia Gentileschi

Clio, la Musa della Storia (La fama)

Artemisia Gentileschi·1632

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Jacopo da Empoli·c. 1600

The Vision of Saint Francis by Lodovico Carracci

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Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

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