Allegory of painting (oval)

This oval Allegory of Painting from around 1630 is a self-referential work by a woman artist depicting the personification of her own art. Gentileschi's identification with Painting as a female figure carries particular biographical significance. Artemisia Gentileschi's powerfully direct treatment of female subjects—heroines, saints, and biblical figures depicted with unprecedented psychological force and physical credibility—makes her one of the most significant figures in the Baroque tradition.

The oval format frames the allegorical figure with Gentileschi's characteristic warm palette. The personification combines allegorical attributes with naturalistic figure painting.