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By the Sea by Elin Danielson-Gambogi

By the Sea

Elin Danielson-Gambogi·1904

Historical Context

By the Sea was painted the year after Danielson-Gambogi's most productive Italian phase, and the Livorno coastline remained her preferred subject for marine views. The K. H. Renlund museum in Kokkola, Finland, which now holds the work, collects Finnish art within a strong regional context, making this canvas a bridge between the artist's Italian life and her Finnish reception. Seascapes occupied a special place in Post-Impressionist painting: water offered an ever-shifting surface that rewarded the kind of loose, responsive brushwork Danielson-Gambogi favoured. The painting dates to 1904, a year when she was consolidating a reputation that stretched from Tampere to Florence.

Technical Analysis

The horizontal structure of sea and sky is divided with deliberate simplicity. Paint handling is fluid, with wet-into-wet passages in the water and drier, dragged marks in the sky suggesting cloud movement and coastal wind.

See It In Person

K. H. Renlund museum

,

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Seascape
Location
K. H. Renlund museum,
View on museum website →

More by Elin Danielson-Gambogi

Self-Portrait by Elin Danielson-Gambogi

Self-Portrait

Elin Danielson-Gambogi·1903

Laundress by Elin Danielson-Gambogi

Laundress

Elin Danielson-Gambogi·1900

The spinner by Elin Danielson-Gambogi

The spinner

Elin Danielson-Gambogi·1900

A Sunny Day by Elin Danielson-Gambogi

A Sunny Day

Elin Danielson-Gambogi·1900

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885