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The Last Judgment by Gherardo Starnina

The Last Judgment

Gherardo Starnina·1350

Historical Context

Gherardo Starnina, a Florentine painter who traveled to Spain and absorbed the International Gothic style before returning to Italy, is associated with this Last Judgment panel. Starnina's exposure to Valencian painting during his years in the Iberian Peninsula profoundly influenced his art, introducing a new coloristic brilliance and ornamental energy to Florentine painting around 1400. The Last Judgment was among the most ambitious subjects in Gothic art, requiring the artist to orchestrate vast numbers of figures across the cosmic drama of salvation and damnation.

Technical Analysis

Rendered in egg tempera on panel with gold ground, the composition follows the traditional tripartite Last Judgment scheme with Christ in Majesty flanked by the blessed and the damned. The dynamic figural treatment and rich chromatic range reflect Starnina's International Gothic sensibility.

See It In Person

Bavarian State Painting Collections

Munich, Germany

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
87.4 × 52.4 cm
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Bavarian State Painting Collections, Munich
View on museum website →

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Gherardo Starnina·1407

Two Seated Angels Making Music by Gherardo Starnina

Two Seated Angels Making Music

Gherardo Starnina·1400

Dormition of the Virgin by Gherardo Starnina

Dormition of the Virgin

Gherardo Starnina·1408

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Crucifixion

Giotto·1330

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Death of the Virgin by Giotto

Death of the Virgin

Giotto·1310

Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

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