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Dante Alighieri by Justus van Gent

Dante Alighieri

Justus van Gent·1476

Historical Context

Justus van Gent's portrait of Dante Alighieri for Federico da Montefeltro's Famous Men series at Urbino placed the poet among the twenty-eight illustrious figures whose intellectual achievements justified Federico's humanist court. Dante's inclusion alongside Plato, Aristotle, and the Church fathers confirmed his status as a figure of universal culture rather than merely Italian literature. Justus would have worked from the existing portrait tradition — the profile with laurel wreath — as he had no contemporary image to work from.

Technical Analysis

Dante is shown in strict profile in the established iconographic tradition, the laurel crown and characteristic aquiline nose identifying him for a viewer who knew the earlier portrait canon. Justus van Gent gives the poet's olive-green robe a material weight through his Flemish glazing technique that differentiates his treatment from Italian versions of the same portrait.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
111.5 × 64.5 cm
Era
Early Renaissance
Style
Early Netherlandish
Genre
History
Location
Department of Paintings of the Louvre, Paris
View on museum website →

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Adoration of the Magi by Justus van Gent

Adoration of the Magi

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Federico da Montefeltro, Duke of Urbino (1422-1482), his son Guidobaldo (1472-1508), and others listening to a discourse by Justus van Gent

Federico da Montefeltro, Duke of Urbino (1422-1482), his son Guidobaldo (1472-1508), and others listening to a discourse

Justus van Gent·1480

Sleeping Apostles by Justus van Gent

Sleeping Apostles

Justus van Gent·1500

Pala del corpus domini by Justus van Gent

Pala del corpus domini

Justus van Gent·1467

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