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Pietro d'Abano by Pedro Berruguete

Pietro d'Abano

Pedro Berruguete·1476

Historical Context

Pietro d'Abano (1257–1316) was a physician, philosopher, and astrologer from Padua whose works reconciling Arabic medicine with Aristotelian philosophy made him one of the most controversial and celebrated intellectuals of his era; he was twice investigated for heresy. His inclusion in Federico da Montefeltro's studiolo at Urbino alongside humanists, poets, and warriors reflects the Renaissance admiration for intellectual achievement across all fields of knowledge, including the risky boundaries of natural philosophy. Berruguete's portrait of d'Abano belongs to the same Uomini Illustri series as his Vittorino da Feltre, placing medieval scientists in the same pantheon as ancient philosophers.

Technical Analysis

Pietro d'Abano's portrait requires Berruguete to depict a medieval scholar from visual imagination rather than life or a contemporary portrait, using the book and possibly astronomical instruments as identifying attributes. His technique for the studiolo figures maintains consistency: careful modeling, architectural niche, three-quarter view, tempera or mixed technique on panel.

See It In Person

Department of Paintings of the Louvre

Paris, France

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Quick Facts

Medium
Oil on panel
Dimensions
93 × 60 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Portrait
Location
Department of Paintings of the Louvre, Paris
View on museum website →

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Portrait of Pope Sixtus IV della Rovere by Pedro Berruguete

Portrait of Pope Sixtus IV della Rovere

Pedro Berruguete·c. 1476–82

Portrait of Federico da Montefeltro with His Son Guidobaldo by Pedro Berruguete

Portrait of Federico da Montefeltro with His Son Guidobaldo

Pedro Berruguete·1470

Virgin and Child by Pedro Berruguete

Virgin and Child

Pedro Berruguete·1450

Resurrection of Christ by Pedro Berruguete

Resurrection of Christ

Pedro Berruguete·1451

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Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

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