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Cardinal Bessarion by Pedro Berruguete

Cardinal Bessarion

Pedro Berruguete·1476

Historical Context

Pedro Berruguete's Cardinal Bessarion places the Greek scholar-cardinal among the celebrated ecclesiastics and scholars depicted in Federico da Montefeltro's Urbino studiolo. Bessarion, who had died only a few years before the studiolo was decorated, was venerated as a living embodiment of the synthesis of Greek and Latin learning that Renaissance humanism aspired to achieve. His inclusion in the studiolo alongside ancient philosophers and medieval scholars created a historical continuity from antiquity through Bessarion's recent transfer of Byzantine learning to Italy — a narrative the Duke's program was designed to assert.

Technical Analysis

Tempera technique, reflecting earlier traditions, the portrait demonstrates Pedro Berruguete's command of skilled technique and careful observation. The careful modeling of the face reveals close study of the sitter's physiognomy, while the treatment of costume and setting projects appropriate social standing.

See It In Person

Department of Paintings of the Louvre

Paris, France

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Quick Facts

Medium
Oil on panel
Dimensions
115 × 56 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Portrait
Location
Department of Paintings of the Louvre, Paris
View on museum website →

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Portrait of Pope Sixtus IV della Rovere by Pedro Berruguete

Portrait of Pope Sixtus IV della Rovere

Pedro Berruguete·c. 1476–82

Portrait of Federico da Montefeltro with His Son Guidobaldo by Pedro Berruguete

Portrait of Federico da Montefeltro with His Son Guidobaldo

Pedro Berruguete·1470

Virgin and Child by Pedro Berruguete

Virgin and Child

Pedro Berruguete·1450

Resurrection of Christ by Pedro Berruguete

Resurrection of Christ

Pedro Berruguete·1451

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