Annunciation
Historical Context
This Annunciation from around 1435 in the Louvre is an early work showing Rogier developing the refined emotional language that would distinguish his art. The subject allowed him to explore the psychological drama of the divine encounter with characteristic subtlety Rogier van der Weyden combined exquisite emotional intensity with compositional clarity, making him the most influential Flemish painter of the mid-fifteenth century The Annunciation—Gabriel's announcement to Mary that she would bea
Technical Analysis
The Netherlandish interior is rendered with precise perspective and meticulous surface description. The angel's elaborate wings and brocade garments contrast with the Virgin's simpler attire, establishing a visual hierarchy of the divine and human.
See It In Person
More by Rogier van der Weyden
Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso)
Rogier van der Weyden·1460–64
Virgin and Child
Rogier van der Weyden·1454
Virgin and Child
Follower of Rogier van der Weyden (Master of the Saint Ursula Legend Group, Netherlandish, active late 15th century)·ca. 1480–90
The Holy Family with Saint Paul and a Donor
Rogier van der Weyden·1430
