
Portrait of Robert Le Lorrain
Historical Context
Robert Le Lorrain, the sculptor, appears in this early portrait from around 1730 at the Louvre, one of the earliest works attributed to Drouais. Le Lorrain, a pupil of Girardon who created major sculptural works at Versailles and the Hotel de Soubise, was an established figure by the time this portrait was painted. The early date raises questions about whether this is by the elder Hubert Drouais rather than his more famous son. Drouais was among the most successful portraitists of pre-Revolutionary France, working in the tradition of his father Hubert Drouais and studying under Carle van Loo, Natoire, and Boucher before establishing himself at court.
Technical Analysis
The artist"s portrait presents the sculptor with appropriate professional dignity, possibly with references to his craft. The technique, if by the young Francois Hubert, shows the developing style that would mature into the polished court manner. The palette is characteristic of early to mid-century French portraiture—warm tones, dark background, careful facial modeling.
See It In Person
More by François Hubert Drouais
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Madame Sophie de France (1734–1782)
François Hubert Drouais·1762

Portrait of a Woman, Said to be Madame Charles Simon Favart (Marie Justine Benoîte Duronceray, 1727–1772)
François Hubert Drouais·1757

Portrait of a Young Woman as a Vestal Virgin
François Hubert Drouais·1767

Portrait of the Marquise d'Aguirandes
François Hubert Drouais·1759



