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Romeo et Juliette by Théodore Chassériau

Romeo et Juliette

Théodore Chassériau·1850

Historical Context

This Romeo and Juliet at the Louvre reflects Chassériau's engagement with Shakespearean subjects that was shared by many French Romantic painters and writers. Shakespeare's tragedies provided ideal material for the Romantic emphasis on passionate emotion and tragic fate. Chassériau's oil technique combined Ingres's sculptural clarity of contour with Delacroix's warm Venetian colorism, creating works of unusual poetic power that influenced Gustave Moreau and later Symbolist painting.

Technical Analysis

The lovers are depicted with Chassériau's characteristic combination of refined drawing and warm, emotional coloring, the tragic romance rendered with the intensity and beauty that defined his Shakespearean interpretations.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
50 × 61 cm
Era
Romanticism
Style
French Romanticism
Genre
Genre
Location
Department of Paintings of the Louvre, Paris
View on museum website →

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Saracens and Crusaders by Théodore Chassériau

Saracens and Crusaders

Théodore Chassériau·c. 1846

Comtesse de La Tour-Maubourg (Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850) by Théodore Chassériau

Comtesse de La Tour-Maubourg (Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850)

Théodore Chassériau·1841

Desdemona (The Song of the Willow) by Théodore Chassériau

Desdemona (The Song of the Willow)

Théodore Chassériau·1849

The Toilette of Esther by Théodore Chassériau

The Toilette of Esther

Théodore Chassériau·1841

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836