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Portrait of Benoît Chassériau by Théodore Chassériau

Portrait of Benoît Chassériau

Théodore Chassériau·1832

Historical Context

This 1832 portrait of Benoît Chassériau at the Louvre depicts the artist's father, who had served as a French colonial official in Haiti and Martinique before returning to France—a biography that gave young Théodore his mixed Caribbean heritage and cosmopolitan formation. Painted when Chassériau was thirteen, this remarkably accomplished early portrait demonstrates the extraordinary precocity that had won him admission to Ingres's studio at six and recognition at the Salon at eleven. The father's portrait carries both personal significance and art-historical importance as evidence of the prodigy's abilities before formal Salon recognition. Benoît's experience of the colonial world would inform Chassériau's own later engagement with North Africa.

Technical Analysis

The paternal portrait is rendered with surprising maturity for a thirteen-year-old artist, the precise drawing and careful observation of character already revealing the talent that would make Chassériau one of the most original French painters of his generation.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
65 × 54 cm
Era
Romanticism
Style
French Romanticism
Genre
Portrait
Location
Department of Paintings of the Louvre, Paris
View on museum website →

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Saracens and Crusaders by Théodore Chassériau

Saracens and Crusaders

Théodore Chassériau·c. 1846

Comtesse de La Tour-Maubourg (Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850) by Théodore Chassériau

Comtesse de La Tour-Maubourg (Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850)

Théodore Chassériau·1841

Desdemona (The Song of the Willow) by Théodore Chassériau

Desdemona (The Song of the Willow)

Théodore Chassériau·1849

The Toilette of Esther by Théodore Chassériau

The Toilette of Esther

Théodore Chassériau·1841

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