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Katharinenaltar: Martyrium der hl. Katharina by Hans Holbein the Elder

Katharinenaltar: Martyrium der hl. Katharina

Hans Holbein the Elder·1512

Historical Context

Hans Holbein the Elder painted this Martyrdom of Saint Catherine as part of a Katherine altar around 1512, near the end of his career. Working primarily in Augsburg, the elder Holbein was one of the most important German painters of the late fifteenth century, known for his transition from late Gothic to Renaissance style. The tempera medium required careful preparation on a gessoed panel and a disciplined layering technique that produced precise, durable surfaces suited to the intricate detail expected of devotional painting.

Technical Analysis

The panel demonstrates Holbein the Elder's mature technique combining precise Augsburg draughtsmanship with the softer modeling and spatial depth he developed through contact with Italian art.

See It In Person

Bavarian State Painting Collections

Munich, Germany

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
106 × 78 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Bavarian State Painting Collections, Munich
View on museum website →

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Portrait of a Woman by Hans Holbein the Elder

Portrait of a Woman

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Basilica Santa Maria Maggiore by Hans Holbein the Elder

Basilica Santa Maria Maggiore

Hans Holbein the Elder·1499

Maria, das Kind liebkosend by Hans Holbein the Elder

Maria, das Kind liebkosend

Hans Holbein the Elder·1499

The Dormition of the Virgin by Hans Holbein the Elder

The Dormition of the Virgin

Hans Holbein the Elder·1490

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Head of Saint John the Baptist on a Charger

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Lucrezia di Lippo di Iacopo Guidi

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Domenico da Gambassi

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515