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Kaisheimer Altar: Tod Mariens by Hans Holbein the Elder

Kaisheimer Altar: Tod Mariens

Hans Holbein the Elder·1502

Historical Context

Hans Holbein the Elder painted the Death of the Virgin for the Kaisheim Altar in 1502. The Dormition of the Virgin, with the apostles miraculously assembled at her deathbed, was a theologically important scene marking the end of Mary's earthly life. Holbein's treatment emphasizes the solemnity and sacred mystery of the moment. The tempera medium required careful preparation on a gessoed panel and a disciplined layering technique that produced precise, durable surfaces suited to the intricate detail expected of devotional painting.

Technical Analysis

Oil on panel with careful arrangement of the twelve apostles around the dying Virgin. Holbein's psychological sensitivity is evident in the individualized expressions of grief and reverence.

See It In Person

Bavarian State Painting Collections

Munich, Germany

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
179 × 81 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Bavarian State Painting Collections, Munich
View on museum website →

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Portrait of a Woman

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Basilica Santa Maria Maggiore by Hans Holbein the Elder

Basilica Santa Maria Maggiore

Hans Holbein the Elder·1499

Maria, das Kind liebkosend by Hans Holbein the Elder

Maria, das Kind liebkosend

Hans Holbein the Elder·1499

The Dormition of the Virgin by Hans Holbein the Elder

The Dormition of the Virgin

Hans Holbein the Elder·1490

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