Christgartner Altar: Fall Christi bei der Kreuzaufrichtung (Abgetrennte Rückseite von WAF 920)

Hans Leonhard Schäufelein's treatment of this sacred subject in 1515 exemplifies the sixteenth-century approach to sacred subjects, balancing theological orthodoxy with artistic innovation. Painted at the height of the High Renaissance, the work draws on centuries of iconographic tradition while expressing Hans Leonhard Schäufelein's individual interpretation of the divine narrative. This was the age of the great papal and princely commissions, when the ambitions of patrons like Julius II and Leo X drove artists to create works of unprecedented scale and complexity.

The devotional work is executed with skilled technique, reflecting Hans Leonhard Schäufelein's engagement with the demands of religious painting. The composition balances narrative clarity with spiritual atmosphere, using careful observation to heighten the sacred drama.