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Jakobus-Stephanus-Altar: Der hl. Jakobus tauft Josias und Hinrichtung des Jakobus by Marx Reichlich

Jakobus-Stephanus-Altar: Der hl. Jakobus tauft Josias und Hinrichtung des Jakobus

Marx Reichlich·1506

Historical Context

Marx Reichlich was a Salzburg painter trained under Michael Pacher who carried the Tyrolean master's spatial innovations into the early sixteenth century. The Jakobus-Stephanus Altar depicts two consecutive episodes from the life of James the Less — his baptism of the Jewish leader Josias (an apocryphal episode from the Acts of James) and his subsequent execution. Combining baptism and martyrdom on a single panel was standard for Bavarian altarpiece wings, where space constraints demanded narrative compression.

Technical Analysis

Reichlich inherits Pacher's taste for deep architectural interiors but softens the extreme foreshortening toward a more balanced Danube School style. The baptism scene's water, rendered with careful rippled reflections, and the crowd at the execution are handled with the narrative clarity Reichlich learned from Pacher's storytelling economy.

See It In Person

Bavarian State Painting Collections

Munich, Germany

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
109.3 × 78.1 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Bavarian State Painting Collections, Munich
View on museum website →

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Hl. Thomas (Innenseite) und hl. Silvester (Außenseite) by Marx Reichlich

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Hl. Erasmus oder hl. Thiemo? (Innenseite) und hl. Bischof (Martin?) (Außenseite) by Marx Reichlich

Hl. Erasmus oder hl. Thiemo? (Innenseite) und hl. Bischof (Martin?) (Außenseite)

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