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Saint James the Great by Master of the Small Passion

Saint James the Great

Master of the Small Passion·1464

Historical Context

Master of the Lyversberger Passion's treatment of this sacred subject in 1464 exemplifies the enduring importance of religious painting in the Early Renaissance. Master of the Lyversberger Passion brings distinctive artistic vision to the sacred narrative, creating a work that served both devotional and artistic purposes in fifteenth-century European culture. The mid-fifteenth century saw painting achieve new levels of naturalistic conviction, as artists competed to render space, light, and human expression with unprecedented accuracy.

Technical Analysis

Master of the Lyversberger Passion employs skilled technique and careful observation to convey the spiritual gravity of the subject. The treatment of the figures shows careful study of earlier masters, while the palette and lighting create the devotional atmosphere the subject demands.

See It In Person

Bavarian State Painting Collections

Munich, Germany

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
102.7 × 32.2 cm
Era
Early Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Bavarian State Painting Collections, Munich
View on museum website →

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Martyrdom of St Ursula before the City of Cologne by Master of the Small Passion

Martyrdom of St Ursula before the City of Cologne

Master of the Small Passion·1411

Two Holy Scenes: Legend of the Holy Hermit Anthony by Master of the Small Passion

Two Holy Scenes: Legend of the Holy Hermit Anthony

Master of the Small Passion·1410

Two Holy Scenes: Martyrdom of the Ten Thousand by Master of the Small Passion

Two Holy Scenes: Martyrdom of the Ten Thousand

Master of the Small Passion·1410

Engel der Verkündigung by Master of the Small Passion

Engel der Verkündigung

Master of the Small Passion·1417

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