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Coronation of the Virgin with donors by Master of the Small Passion

Coronation of the Virgin with donors

Master of the Small Passion·1464

Historical Context

Painted around 1464 , this devotional work by Master of the Lyversberger Passion demonstrates the enduring importance of religious painting in the Early Renaissance. Master of the Lyversberger Passion brings distinctive artistic vision to the sacred narrative, creating a work that served both devotional and artistic purposes in fifteenth-century European culture. By the mid-fifteenth century, the innovations of Masaccio, Brunelleschi, and the Van Eycks had fundamentally altered the possibilities of painting, establishing perspective, oil glazing, and naturalistic light as standard tools.

Technical Analysis

Tempera technique, reflecting earlier traditions, the religious composition demonstrates Master of the Lyversberger Passion's skilled technique and careful observation in service of sacred narrative. The figural arrangement draws on established iconographic tradition while the handling of light and color creates emotional resonance.

See It In Person

Bavarian State Painting Collections

Munich, Germany

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
101.6 × 133 cm
Era
Early Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Bavarian State Painting Collections, Munich
View on museum website →

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Martyrdom of St Ursula before the City of Cologne by Master of the Small Passion

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Master of the Small Passion·1411

Two Holy Scenes: Legend of the Holy Hermit Anthony by Master of the Small Passion

Two Holy Scenes: Legend of the Holy Hermit Anthony

Master of the Small Passion·1410

Two Holy Scenes: Martyrdom of the Ten Thousand by Master of the Small Passion

Two Holy Scenes: Martyrdom of the Ten Thousand

Master of the Small Passion·1410

Engel der Verkündigung by Master of the Small Passion

Engel der Verkündigung

Master of the Small Passion·1417

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