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Tod des Kaisers Heinrich (Werkstatt) by Hans Holbein the Elder

Tod des Kaisers Heinrich (Werkstatt)

Hans Holbein the Elder·1506

Historical Context

The Hans Holbein the Elder workshop produced this Death of Emperor Henry around 1506. The final scene of the imperial legend brought the narrative cycle to its conclusion. Workshop variants of Holbein's compositions demonstrate the organized production system of major Augsburg ateliers. The tempera medium required careful preparation on a gessoed panel and a disciplined layering technique that produced precise, durable surfaces suited to the intricate detail expected of devotional painting. The Northern Renaissance tradition that shaped this work prized meticulous surface observation, emotional directness, and the symbolic integration of everyday objects into sacred narratives.

Technical Analysis

Oil on panel with the Holbein workshop's standards of execution. The deathbed scene follows the master's established compositional approach to historical narrative.

See It In Person

Bavarian State Painting Collections

Munich, Germany

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
92.4 × 70.2 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Bavarian State Painting Collections, Munich
View on museum website →

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Basilica Santa Maria Maggiore by Hans Holbein the Elder

Basilica Santa Maria Maggiore

Hans Holbein the Elder·1499

Maria, das Kind liebkosend by Hans Holbein the Elder

Maria, das Kind liebkosend

Hans Holbein the Elder·1499

The Dormition of the Virgin by Hans Holbein the Elder

The Dormition of the Virgin

Hans Holbein the Elder·1490

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

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