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Kaisheimer Altar: Gefangennahme Christi by Hans Holbein the Elder

Kaisheimer Altar: Gefangennahme Christi

Hans Holbein the Elder·1502

Historical Context

Hans Holbein the Elder painted this Arrest of Christ for the Kaisheim Altar in 1502. The nocturnal scene of Christ's capture in Gethsemane was one of the most dramatically demanding subjects in the Passion cycle. Holbein's handling of the night scene demonstrates his sophisticated approach to artificial light effects. The tempera medium required careful preparation on a gessoed panel and a disciplined layering technique that produced precise, durable surfaces suited to the intricate detail expected of devotional painting.

Technical Analysis

Oil on panel with dramatic nocturnal lighting and expressive figure interactions. The torchlit scene creates powerful chiaroscuro effects that heighten the emotional drama of the arrest.

See It In Person

Bavarian State Painting Collections

Munich, Germany

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
179 × 82 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Bavarian State Painting Collections, Munich
View on museum website →

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Portrait of a Woman by Hans Holbein the Elder

Portrait of a Woman

Hans Holbein the Elder·1515

Basilica Santa Maria Maggiore by Hans Holbein the Elder

Basilica Santa Maria Maggiore

Hans Holbein the Elder·1499

Maria, das Kind liebkosend by Hans Holbein the Elder

Maria, das Kind liebkosend

Hans Holbein the Elder·1499

The Dormition of the Virgin by Hans Holbein the Elder

The Dormition of the Virgin

Hans Holbein the Elder·1490

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Lucrezia di Lippo di Iacopo Guidi

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Domenico da Gambassi

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515