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The visitation by Master of the Heisterbach Altar

The visitation

Master of the Heisterbach Altar·1440

Historical Context

The Visitation shows the pregnant Mary travelling to visit her cousin Elizabeth — who is also miraculously pregnant with the future John the Baptist — depicted in intimate greeting. The encounter, recorded in Luke's Gospel, was the occasion for the Magnificat, Mary's great hymn of praise. This panel from the Heisterbach Altar at the Alte Pinakothek renders the two women embracing or clasping hands, their pregnancies implicit rather than shown, in the restrained manner of Rhenish devotional painting. The Cologne school's characteristic emotional warmth is well suited to this subject.

Technical Analysis

Tempera on panel. The Visitation is primarily a two-figure composition — the spatial and emotional relationship between Mary and Elizabeth is the painting's entire subject matter. The Heisterbach master positions them in a landscape or architectural setting that recedes simply behind them, maintaining focus on the encounter.

See It In Person

Alte Pinakothek

Munich, Germany

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
100 × 74.5 cm
Era
Early Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Alte Pinakothek, Munich
View on museum website →

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The Flagellation by Master of the Heisterbach Altar

The Flagellation

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Coronation of the Virgin by Master of the Heisterbach Altar

Coronation of the Virgin

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