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Kaisheimer Altar: Christus vor Pilatus by Hans Holbein the Elder

Kaisheimer Altar: Christus vor Pilatus

Hans Holbein the Elder·1502

Historical Context

Hans Holbein the Elder created Kaisheimer Altar: Christus vor Pilatus around 1502. This work reflects the artistic traditions and visual culture of the period and region in which it was produced. The painting contributes to the broader understanding of art production during this era. The tempera medium required careful preparation on a gessoed panel and a disciplined layering technique that produced precise, durable surfaces suited to the intricate detail expected of devotional painting. Such devotional panels served both liturgical contexts in churches and chapels and private devotional use in the homes of wealthy families who maintained personal altars and oratories.

Technical Analysis

The work demonstrates the painter's training and artistic tradition through its technique and compositional approach. The handling of materials and subject matter reflect period conventions.

See It In Person

Bavarian State Painting Collections

Munich, Germany

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
179 × 82 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Bavarian State Painting Collections, Munich
View on museum website →

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Portrait of a Woman by Hans Holbein the Elder

Portrait of a Woman

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Basilica Santa Maria Maggiore by Hans Holbein the Elder

Basilica Santa Maria Maggiore

Hans Holbein the Elder·1499

Maria, das Kind liebkosend by Hans Holbein the Elder

Maria, das Kind liebkosend

Hans Holbein the Elder·1499

The Dormition of the Virgin by Hans Holbein the Elder

The Dormition of the Virgin

Hans Holbein the Elder·1490

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

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