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Portrait of the artist's father
Albrecht Dürer·1599
Historical Context
Portrait of the Artist's Father, this version dated around 1599 (likely a copy after the original of around 1490), reflects the demand for images of Albrecht Dürer the Elder — goldsmith, craftsman, and father of the great painter. Dürer painted his father multiple times across the 1490s in a series of increasingly confident portraits that document both his father's aging and his own developing mastery of portrait painting. The elder Dürer was a significant figure in Nuremberg's craft culture — a Hungarian-born goldsmith who established the family's Nuremberg identity and trained his son in the precision of metalwork before allowing him to be apprenticed to Michael Wolgemut. The portrait tradition within the family demonstrates the Renaissance emphasis on artistic genealogy.
Technical Analysis
The painting follows the compositional conventions of Dürer's paternal portraits but the date suggests a posthumous copy, possibly made to preserve the family likeness for later generations.


![Madonna and Child [obverse] by Albrecht Dürer](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Durer%2C_vergine_della_pera.jpg&width=600)
![Lot and His Daughters [reverse] by Albrecht Dürer](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Albrecht_D%C3%BCrer_-_Lot_und_seine_T%C3%B6chter_(NGA).jpg&width=600)



