ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Goldenes Zeitalter II by Hans von Marées

Goldenes Zeitalter II

Hans von Marées·1880

Historical Context

'Goldenes Zeitalter II' (Golden Age II), painted in 1880 on panel and held in the Bavarian State Painting Collections, is the companion piece to 'Golden Age I' from the same year, the two works forming part of von Marées's sustained meditation on the classical Arcadian vision in the final productive decade of his life. The repetition — two versions of the same subject in the same year — reflects his characteristic working method of returning repeatedly to the same formal problem, adjusting the composition's figures and spatial organisation with each iteration. Unlike a preparatory study and finished work, these are more nearly equal explorations of the same formal territory from different angles. The panel support for both works signals a considered technical choice, aligning the works with the German Renaissance tradition (Dürer, Cranach, Altdorfer) that also deployed panel for mythological subjects.

Technical Analysis

Like its companion, Goldenes Zeitalter II employs a panel support and a warm, harmonised palette to present figures in a shallow landscape space. Von Marées makes compositional variations — different figure groupings, altered spatial relationships — while maintaining the overall formal approach established in the first version. The paint handling is dense and worked, with the warm depth built through extensive layering.

Look Closer

  • ◆The panel support connects the Golden Age subject to the German Renaissance tradition of panel painting for mythological and religious subjects.
  • ◆Compositional variations from its companion piece show von Marées exploring different figure arrangements within the same formal problem.
  • ◆The warm, harmonised palette treats the Golden Age landscape as a unified tonal environment rather than a naturalistic setting.
  • ◆Dense, layered paint surface visible on close inspection — von Marées rarely left a first solution in place.

See It In Person

Bavarian State Painting Collections

,

Visit museum website →

Quick Facts

Medium
panel
Dimensions
Unknown
Era
Impressionism
Genre
Genre
Location
Bavarian State Painting Collections,
View on museum website →

More by Hans von Marées

Ekloge by Hans von Marées

Ekloge

Hans von Marées·c. 1862

Bildnis Hildebrand und Grant by Hans von Marées

Bildnis Hildebrand und Grant

Hans von Marées·1870

Adoration of the Shepherds by Hans von Marées

Adoration of the Shepherds

Hans von Marées·1865

Sketch for Woodland Scene at Dusk by Hans von Marées

Sketch for Woodland Scene at Dusk

Hans von Marées·1870

More from the Impressionism Period

Michel Monet with a Pompon by Claude Monet

Michel Monet with a Pompon

Claude Monet·1880

Wind Effect, Row of Poplars by Claude Monet

Wind Effect, Row of Poplars

Claude Monet·1891

Rouen Cathedral by Claude Monet

Rouen Cathedral

Claude Monet·1893

Carrières-Saint-Denis by Claude Monet

Carrières-Saint-Denis

Claude Monet·1872