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Der Selbstmord der Kleopatra by Paolo Veronese

Der Selbstmord der Kleopatra

Paolo Veronese·1558

Historical Context

The Suicide of Cleopatra (1558), in the Bavarian State Painting Collections, depicts the Egyptian queen's legendary death by asp bite — her chosen exit rather than submission to Roman triumph. Veronese renders Cleopatra's final moment with characteristic elegance, presenting her death as a performance of queenly dignity rather than desperate defeat. The subject belonged to a genre of noble female deaths popular in Renaissance art, where suicide was paradoxically presented as an act of virtue — choosing death over dishonor. Veronese's treatment emphasizes the sensuousness of the dying queen's body alongside the dramatic pathos of her act, creating the distinctive tension between beauty and death that pervades Venetian treatments of this theme.

Technical Analysis

The composition presents Cleopatra in the moment of her fatal choice, with the asp as the instrument of death. Veronese's luminous flesh tones and the rich fabrics of the royal setting create a scene of tragic elegance.

Look Closer

  • ◆Notice how Veronese stages this scene of "Der Selbstmord der Kleopatra" with the theatrical grandeur and luminous color that defined Venetian Renaissance painting.

See It In Person

Bavarian State Painting Collections

Munich, Germany

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
116.2 × 90 cm
Era
Mannerism
Style
Mannerism
Genre
Mythology
Location
Bavarian State Painting Collections, Munich
View on museum website →

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