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Lighthouse at Gatteville by Paul Signac

Lighthouse at Gatteville

Paul Signac·2000

Historical Context

The lighthouse at Gatteville, at the northern tip of the Cotentin peninsula in Normandy, is one of the tallest lighthouses in France, and Signac's painting of it belongs to his campaign along the Norman coast in the 1920s. By this period, his technique had evolved significantly from the strictly systematic pointillism of his theoretical years — the marks are larger, the application more confident and less mechanically regular, but the underlying color analysis remains consistent with his neo-Impressionist principles. The lighthouse subject, with its clean geometric form against open sky and sea, was a reliable compositional type he returned to throughout his career.

Technical Analysis

The lighthouse tower rises through the center of the composition, its pale stone rendered in warm greys and creams against the cooler blue-grey of the Norman sky. Signac's late divisionist marks — broad, square-ish dabs rather than tiny systematic dots — build the color relationships efficiently without the painstaking point-by-point application of his early method.

See It In Person

Musée Thomas-Henry

Cherbourg,

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Quick Facts

Medium
cardboard
Era
Post-Impressionism
Style
Pointillism
Genre
Seascape
Location
Musée Thomas-Henry, Cherbourg
View on museum website →

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Mont Saint-Michel. Fog and sun by Paul Signac

Mont Saint-Michel. Fog and sun

Paul Signac·1897

Samois Study No. 8 by Paul Signac

Samois Study No. 8

Paul Signac·1899

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

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Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

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Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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