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Madonna Bardi by Sandro Botticelli

Madonna Bardi

Sandro Botticelli·1500

Historical Context

The Madonna Bardi from circa 1500 at the Gemäldegalerie Berlin is a late devotional work reflecting the more austere, emotionally intense quality of Botticelli's final period. Saints John the Baptist and John the Evangelist flank the enthroned Madonna and Child in a composition of severe formal dignity quite different from the decorative elegance of his earlier Madonnas. The spiritual gravity that Savonarola's influence imparted to Botticelli's final decades gives the Berlin Madonna its particular character: the figures are present with a directness that foregoes the charm and ornamental beauty of his Medicean work in favor of devotional concentration. The Bardi family, longtime Florentine banking dynasty and Medici allies, were among Botticelli's consistent patrons.

Technical Analysis

The devotional composition demonstrates the angular, emotionally charged drawing of Botticelli's late style, the Madonna's expression and the composition's compressed space creating an intensity that replaces the spacious grace of his earlier work.

See It In Person

Gemäldegalerie Berlin

Berlin, Germany

Visit museum website →

Quick Facts

Medium
Tempera
Dimensions
185 × 180 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Gemäldegalerie Berlin, Berlin
View on museum website →

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

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