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The Nativity of the Virgin by Perugino

The Nativity of the Virgin

Perugino·1472

Historical Context

The Nativity of the Virgin from 1472 at the Walker Art Gallery in Liverpool represents one of Perugino's earliest surviving works, painted when he was still establishing his independent career. The birth of the Virgin Mary — a subject drawn from the apocryphal Gospel of James rather than the canonical Gospels — was a popular Marian feast subject providing an occasion to depict domestic interior scenes with attendant figures. Perugino's early handling reveals his formation within the Umbrian devotional tradition while showing the beginnings of the graceful figure style that would define his maturity. The Walker Art Gallery's possession of this rare early work makes Liverpool significant for understanding the origins of one of the High Renaissance's most influential painters.

Technical Analysis

The domestic interior setting for the birth scene requires attention to architectural perspective and domestic detail that tests the young painter's skills. Multiple figures attend the newborn Virgin and her mother Saint Anne, creating a narrative composition of some complexity. The early handling shows precise draughtsmanship influenced by Verrocchio's workshop while the emerging luminosity of Perugino's personal style is already detectable.

See It In Person

Walker Art Gallery

Liverpool, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
18.6 × 41 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Walker Art Gallery, Liverpool
View on museum website →

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The Baptism of Christ by Perugino

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Christ and the Woman of Samaria by Perugino

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The Nativity by Perugino

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Perugino·1500–05

Noli Me Tangere by Perugino

Noli Me Tangere

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