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The Siesta by Paul Gauguin

The Siesta

Paul Gauguin·1892

Historical Context

The Siesta, dated 1892 and now in the Metropolitan Museum of Art, depicts Tahitian women resting during the heat of the day — a subject allowing Gauguin to paint horizontal figures in a domestic or outdoor setting without the explicit charge of the nude. The Met's holding of this work connects it to their broader Gauguin group representing his Tahitian period across multiple phases. The theme of rest and the body given over to stillness was central to his vision of Tahitian life as a reprieve from Western industrial time-discipline.

Technical Analysis

Horizontal figures in rest allow Gauguin to explore the relationship between the body and the ground plane without conventional spatial recession. He places the women close to the picture surface, their forms creating a decorative arrangement of colour and rhythm.

See It In Person

Metropolitan Museum of Art

New York, United States

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Quick Facts

Medium
canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Genre
Location
Metropolitan Museum of Art, New York
View on museum website →

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More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885