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Madonna di Loreto by Perugino

Madonna di Loreto

Perugino·1507

Historical Context

The Madonna di Loreto, painted around 1507, takes its name from the famous pilgrimage shrine of the Holy House in Loreto on the Adriatic coast, one of the most important Marian sites in Italy. Perugino's painting for the National Gallery of Umbria connects his devotional art to a specific cult site whose importance was pan-Italian and increasingly international. The Loreto pilgrimage drew visitors from across Catholic Europe, giving Marian imagery associated with the shrine particular resonance. The early sixteenth-century date places this work after the first wave of High Renaissance innovation, when Perugino continued working in a mode that his conservative Umbrian patrons valued even as Roman and Florentine critics had begun to find it repetitive.

Technical Analysis

The Madonna and Child are rendered with Perugino's characteristic combination of idealized beauty and luminous color. The clear, harmonious composition and serene expressions create an image of celestial peace.

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
185.5 × 125.5 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
National Gallery, London
View on museum website →

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