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The Virgin and Child with an Angel by Perugino

The Virgin and Child with an Angel

Perugino·1496

Historical Context

The Virgin and Child with an Angel, painted around 1496, is a characteristic devotional work at the National Gallery in London that encapsulates the qualities that made Perugino the most sought-after painter of his generation. The intimate sacred group — Madonna, Christ Child, and an attendant angel — was a formula Perugino elevated to extraordinary refinement, combining Flemish attention to surface detail with Florentine geometric composition and the distinctive Umbrian landscape opening behind the figures. The National Gallery's possession of this work places Perugino in conversation with the Florentine, Venetian, and Netherlandish masterpieces that form the museum's core Italian holdings, demonstrating his central position in the history of European sacred painting.

Technical Analysis

The intimate devotional composition groups the sacred figures with delicate grace. Perugino's luminous palette and soft modeling create an image of tender devotion on an intimate scale.

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on canvas
Dimensions
114 × 63.5 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
National Gallery, London
View on museum website →

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The Baptism of Christ by Perugino

The Baptism of Christ

Perugino·1500–05

Christ and the Woman of Samaria by Perugino

Christ and the Woman of Samaria

Perugino·1506

The Nativity by Perugino

The Nativity

Perugino·1500–05

Noli Me Tangere by Perugino

Noli Me Tangere

Perugino·1506

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Head of Saint John the Baptist on a Charger

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Lucrezia di Lippo di Iacopo Guidi

Andrea del Sarto·1525–28

Domenico da Gambassi by Andrea del Sarto

Domenico da Gambassi

Andrea del Sarto·1525–28

Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515