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Polyptych of Miglionico by Giovanni Battista Cima da Conegliano

Polyptych of Miglionico

Giovanni Battista Cima da Conegliano·1499

Historical Context

Cima's Polyptych of Miglionico (1499) is a multi-panel altarpiece in the traditional format that was becoming archaic by the 1490s but retained importance for certain types of commissions, particularly in areas outside the major artistic centers. The polyptych format — central image flanked by subsidiary saint panels — allowed patrons to commission multiple devotional images within a single architectural framework, each panel serving the specific devotional function of its subject while the whole creating a unified program of sacred representation. Cima's Miglionico polyptych demonstrates his ability to maintain quality across multiple panels while organizing them into a coherent visual ensemble.

Technical Analysis

Despite the traditional polyptych format, Cima brings his mature technique with smooth surfaces, clear lighting, and refined figure modeling that represents the highest Venetian standards applied to a conservative formal structure.

See It In Person

Chiesa madre di Santa Maria Maggiore

, Italy

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Quick Facts

Medium
Oil on canvas
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Chiesa madre di Santa Maria Maggiore,
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More by Giovanni Battista Cima da Conegliano

Virgin and Child with Saints and Donors by Giovanni Battista Cima da Conegliano

Virgin and Child with Saints and Donors

Giovanni Battista Cima da Conegliano·c. 1515

Madonna and Child with Saints by Giovanni Battista Cima da Conegliano

Madonna and Child with Saints

Giovanni Battista Cima da Conegliano·1490

Baptism of Christ by Giovanni Battista Cima da Conegliano

Baptism of Christ

Giovanni Battista Cima da Conegliano·1492

Sacred Conversation by Giovanni Battista Cima da Conegliano

Sacred Conversation

Giovanni Battista Cima da Conegliano·1490

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