ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContact

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Perseus and Andromeda by Titian

Perseus and Andromeda

Titian·1554

Historical Context

Titian's Perseus and Andromeda from 1554-1556, one of his poesie for Philip II, depicts the hero rescuing the chained princess from a sea monster. The dynamic composition combines heroic action with the display of the female nude in a manner that influenced generations of mythological painters. Titian's late style—those loosely brushed, atmospheric works made for Philip II of Spain—was one of the most radical developments in the history of European painting, anticipating Impressionism by three centuries.

Technical Analysis

The dramatic diagonal of the plunging hero contrasts with the chained vertical figure of Andromeda, with Titian's increasingly free late brushwork creating atmospheric effects in the stormy seascape.

Look Closer

  • ◆Perseus descends from the sky in full armor to rescue the chained Andromeda from the sea monster, the dramatic diagonal of his flight creating kinetic energy
  • ◆Andromeda's chained figure against the rock combines vulnerability with classical beauty in Titian's characteristic manner
  • ◆The sea monster emerges from turbulent waves, its fantastical form rendered with Titian's late, expressive brushwork
  • ◆The stormy sky and churning sea create an atmosphere of natural violence that mirrors the mythological drama

Condition & Conservation

Part of the "poesie" series for Philip II of Spain, Perseus and Andromeda is now in the Wallace Collection, London. The painting has been cleaned and restored, revealing the dynamic composition and Titian's increasingly free handling. The canvas has been relined. The palette of this late work is darker than the earlier poesie, reflecting Titian's evolving approach. Some areas show wear, but the principal figures are well-preserved.

See It In Person

Wallace Collection

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
183.3 × 199.3 cm
Era
Mannerism
Style
Mannerism
Genre
Mythology
Location
Wallace Collection, London
View on museum website →

More by Titian

Portrait of a Lady by Titian

Portrait of a Lady

Titian·1545

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Giacomo and Cardinal Marco, investing Andrea, Abbot of San Zeno, with his Benefice by Titian

Giacomo and Cardinal Marco, investing Andrea, Abbot of San Zeno, with his Benefice

Titian·c. 1524

Ecce Homo by Titian

Ecce Homo

Titian·1559

More from the Mannerism Period

The Battle of Zama by Cornelis Cort

The Battle of Zama

Cornelis Cort·After 1567

Francesco de' Medici by Alessandro Allori

Francesco de' Medici

Alessandro Allori·c. 1560

Portrait of Don Juan of Austria by Alonso Sánchez Coello

Portrait of Don Juan of Austria

Alonso Sánchez Coello·1559–60

Portrait of a Seated Woman by Antonis Mor

Portrait of a Seated Woman

Antonis Mor·c. 1565