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Self Portrait by Rembrandt van Rijn

Self Portrait

Rembrandt van Rijn·1658

Historical Context

This portrait, dating to 1658, is by Rembrandt van Rijn, who born in Leiden in 1606, became the greatest painter of the Dutch Golden Age. His mastery of chiaroscuro, psychological depth, and painterly technique is unmatched. The portrait reflects the artist's engagement with the demands of elite patronage, capturing individual character within the conventions of Baroque portraiture. Such commissions formed the economic backbone of most painters' careers and provide valuable documents of the social world in which they operated.

Technical Analysis

The painting employs the dramatic chiaroscuro and dynamic compositional energy characteristic of Baroque art, with rich color and confident brushwork creating visual impact through contrasts of light and shadow.

See It In Person

The Frick Collection

New York, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
133.7 × 103.8 cm
Era
Baroque
Style
Dutch Golden Age
Genre
Portrait
Location
The Frick Collection, New York
View on museum website →

More by Rembrandt van Rijn

Jacob's Farewell to Benjamin by Rembrandt van Rijn

Jacob's Farewell to Benjamin

Rembrandt van Rijn·c. 1655

Old Man with a Gold Chain by Rembrandt van Rijn

Old Man with a Gold Chain

Rembrandt van Rijn·1631

The Raising of Lazarus by Follower of Rembrandt van Rijn

The Raising of Lazarus

Follower of Rembrandt van Rijn·c. 1630

Young Man in a Turban by Follower of Rembrandt van Rijn

Young Man in a Turban

Follower of Rembrandt van Rijn·c. 1650

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

The Vision of Saint Francis by Lodovico Carracci

The Vision of Saint Francis

Lodovico Carracci·c. 1602

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612