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Crucifixion by Andrea del Castagno

Crucifixion

Andrea del Castagno·1445

Historical Context

Andrea del Castagno's Crucifixion, painted around 1445 for the refectory of Sant'Apollonia in Florence, exemplifies the artist's powerful, sculptural approach to religious subjects. Castagno was one of the most forceful painters of the early Renaissance, known for his monumental figures and dramatic compositions. Andrea del Castagno was among the most powerful fresco painters in mid-fifteenth-century Florence, developing a style of monumental figure painting influenced by Donatello's sculpture and the spatial revolution of Masaccio.

Technical Analysis

The Crucifixion displays Castagno's characteristic emphasis on muscular anatomy and strong contour drawing, with the crucified Christ rendered with anatomical precision and the mourning figures conveying grief through bold, angular poses.

See It In Person

Sant'Apollonia

, Italy

Visit museum website →

Quick Facts

Medium
Tempera
Dimensions
270 × 347 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Sant'Apollonia,
View on museum website →

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Portrait of a Man by Andrea del Castagno

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Andrea del Castagno·c. 1450

David with the Head of Goliath by Andrea del Castagno

David with the Head of Goliath

Andrea del Castagno·c. 1450/1455

Resurrection of Christ by Andrea del Castagno

Resurrection of Christ

Andrea del Castagno·1400

Saint Julian and the Redeemer by Andrea del Castagno

Saint Julian and the Redeemer

Andrea del Castagno·1453

More from the Early Renaissance Period

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Christ Crowned with Thorns

Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

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