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Sunday at Port-en-Bessin by Georges Seurat

Sunday at Port-en-Bessin

Georges Seurat·1888

Historical Context

Sunday at Port-en-Bessin (1888) depicts the harbour at Port-en-Bessin decorated with flags for a public holiday, one of six paintings Seurat made there during the summer of 1888. The national tricolours introduce vertical colour accents and festive associations into his otherwise contemplative marine compositions. The integration of flags and their reflections in the harbour water gave Seurat a compositional challenge in combining symbolic motifs with systematic divisionist technique. Kröller-Müller Museum.

Technical Analysis

The vertical flag poles and horizontal harbour walls create a firm geometric grid against which the divisionist surface works. Flags introduce strong red and blue primaries into the otherwise muted maritime palette. Water reflections dissolve architectural forms into shimmering colour fields below the harbour wall.

See It In Person

Kröller-Müller Museum

Otterlo, Netherlands

Visit museum website →

Quick Facts

Medium
oil paint
Dimensions
Unknown
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Kröller-Müller Museum, Otterlo
View on museum website →

More by Georges Seurat

Le Bec du Hoc, Grandcamp by Georges Seurat

Le Bec du Hoc, Grandcamp

Georges Seurat·1885

Houses and Garden by Georges Seurat

Houses and Garden

Georges Seurat·1882

View of Le Crotoy from Upstream by Georges Seurat

View of Le Crotoy from Upstream

Georges Seurat·1889

Young Woman Powdering Herself (Study) by Georges Seurat

Young Woman Powdering Herself (Study)

Georges Seurat·1889

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

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Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885