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Madonna, Fragment by Gentile da Fabriano

Madonna, Fragment

Gentile da Fabriano·1423

Historical Context

This Madonna fragment from 1423 is a remnant of what was likely a larger devotional panel by Gentile da Fabriano, created during his time in Florence. The fragment preserves the tender intimacy and refined grace that characterized his depictions of the Virgin, which influenced subsequent generations of Florentine painters. Characteristic of the artist's mature approach, the work displays sumptuous gold and jewel-like color, elegant courtly figures in elaborate brocade, lyrical narrative, exquisite surface detail in goldwork and textiles.

Technical Analysis

Despite its fragmentary state, the panel reveals Gentile's refined handling of tempera, with soft tonal transitions in the flesh painting and delicate gilded details.

See It In Person

Harvard University Center for Italian Renaissance Studies

Florence, Italy

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
25 × 19 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Harvard University Center for Italian Renaissance Studies, Florence
View on museum website →

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Madonna and Child Enthroned by Gentile da Fabriano

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The Crippled and Sick Cured at the Tomb of Saint Nicholas by Gentile da Fabriano

The Crippled and Sick Cured at the Tomb of Saint Nicholas

Gentile da Fabriano·1425

Adoration of the Three Kings - Birth of Christ by Gentile da Fabriano

Adoration of the Three Kings - Birth of Christ

Gentile da Fabriano·1423

Quaratesi Polyptych by Gentile da Fabriano

Quaratesi Polyptych

Gentile da Fabriano·1425

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